chapter ix: are you ready for it?

It’s been a while guys! I’ve been out with a serious injury to my lower back, subsequent surgery and then we had the arrival of a new family member! Now that my little miracle, Dashel, is in school 3x a week I finally have the time to focus on something more than being a full time caregiver. I am so excited to reemerge into the art world with a renewed sense of passion and creativity. This time away has allowed me to reflect, grow, and gain fresh perspectives that I am eager to incorporate into my work. I am excited to share my new insights and showcase my latest creations starting with my series I’m calling lunar faces | feminine divine.

AL UZZA : the star goddess

fiercely protective and from Arabian mythology

This series that I’ve been working on to get back into art scene has led me down many different research avenues. I’ve been excitedly looking into different cultures and mythologies of moon goddesses and their associated powers and symbols. Many of my friends and family have generously given  their time posing for me, infusing their energy and movement into the study. Each artwork tells a unique story, capturing the essence of these divine feminine figures in a captivating and intriguing way. I am excited to continue growing this series, diving deeper into the rich history and symbolism surrounding moon goddesses from around the world. Each new piece is a journey of discovery and creativity, and I can't wait to see lunar faces | feminine divine come to life.

chapter viii: sad beautiful tragic

This whole pandemic has been a big anxiety inducing creative block. I had huge plans to finish the impossible cities series back in April and get it submitted for all the summer exhibitions. Except now everything is digital and I can’t seem to get the creative juices flowing in order to finish. However, what I’m learning is that I have to work at my own pace and there is no one putting any sort of pressure on me but me. This period of isolation has been a weird one for sure. While I’m having trouble putting material down to create, it hasn’t stopped my future creative plans. I’ve continued to submit my current works to different exhibitions and while they may mostly be digital/not hosting opening receptions/limiting people inside the gallery, they are still happening. In fact, my work The Unexpected was accepted into the ‘Unleashed’ exhibition by the Gallery Underground in Arlington, Virginia.

The Unexpected

detail

So I guess what all of this has taught me is that even when the world feels like its burning down around us, press on. Use those feelings of anxiety and creative blocks to grow my craft in other ways. I’m doing a daily sketch notebook, I’m sculpting, and I’m jotting down random ideas that may or may not turn into something one day. I’m doing anything and everything to move my creative process forward and on days when its too much I turn to something else; baking, gardening, exercise. And as I’m finishing up the Impossible Cities series way behind my internal schedule I will remember to be kind to myself.

chapter vii: wonderland

The last time I was here I told you about my epiphany and the art that came as a result. This is an expansion of that. I am so excited to venture outside of the box that I had put myself into. This new series is an exciting take on the idea of impossible cities. Through this theme I’m getting to explore my favorite materials (hello resin and gold leaf!), plus I am able to research through stories and talking to friends and family about what they would consider an impossible city to be. Through this I’m learning about collaboration and how to grow my interpretation of it.

The subtle color changes in the resin that makes up the clouds gives the illusion of a nighttime view of the castle.

A village of copper buildings within each hollowed tree stacked upon one another but still working within the confines of the forest.

Collaboration is important. I’m learning that it can help the creative process to talk things out—to hear other peoples perspectives. That collaboration, that meeting of the minds is necessary for growth. I’m learning that it doesn’t always require talking to other artists either. Talk to engineers, talk to counselors, teachers, retail workers, nurses, and everyone in between. I’ve started to gather all of these different viewpoints and then interpret it into my own art. There are so many interesting takes on the idea of impossible cities and I would love to hear what you would consider an impossible city to be!